“Inspired by the convergence of cultures and its consequences, especially as a result of queerness and diaspora, my work is critical of spacetime with an emphasis on performance. This criticality is culminating in something I am calling the non-durational. The non-durational is a lens of critique I am developing that is informed by relativity and existential philosophies. It can be put onto a variety of different subjects, including sexuality, language, and art. It is inspired by notions like assembly theory, eternal recurrence, intersectionality, a number of queer theories, durée, amor fati, and Dasein. It is like the word “queer” at times–adjectival in nature. My current practice aims to make observations and form language and material to explore the non-durational, an endlessness that is contingent upon power.“
A crackle box (or kraakdoos in Dutch) is an electronic-noise-feedback-synth-instrument designed by Michel Waisvisz of STEIM in the seventies. It is played by directly touching selected points in the circuit thereby becoming part of the circuit and completing a feedback loop to generate sounds. In this workshop, we will learn how to make a crackle box from scratch! There will be some breadboarding, diagram-reading, components-matching, soldering, and noising. Hopefully, we will have some homebrew boxes so we can touch, play and perform together!
Martin Mušič, a part of Baobap collective, is planning to design a useful ceramic product with a story connected to Soča Valley. He will use the 3D printer to make a prototype, which will be used as a plaster mold for casting liquid clay in it. He is also planning to build an outdoor furnace out of locally sourced materials and burn the clay products in there. The finished ceramic products will have an extra kick – a story with a local connection.
Last year’s PIFresidency artist, Maggie Kane, will continue leading their integrative communal build project that centers digital storytelling and upcycled material (re)use at PIFcamp this summer. In 2022, Maggie led a group of artists in Ljubljana to build a freestanding wooden structure that houses interactive controls, a Raspberry Pi, and a digital screen. This summer, Maggie will host a workshop on how to build basic HTML games that allow participants to explore personal stories or memories that they have & how they can incorporate those experiences into an interactive game using the open-source platform Bitsy.
In Experimental Scoby Therapy, developed byNastja Ambrožič and Celeste Sanja Smareglia, the visitor is immersed in an immersive experience under the dome of Blaž Pavlica while lying down. In the comfort of the cushioned mattress, the sound coming from the e-textile DIY speakers sewn into the pillows, and the animations spreading across the projection screen on top of the dome, the user will get in touch with the symbiotic organism SCOBY. Capacitive sensors made of SCOBY paste, connected to the OctoSens interface, and other sensors that read physiological changes will form a key part of the therapeutic experience. The signals read from the sensors will be converted into sound frequencies and colorful visualizations. The experimental therapy will be a meditative, hypnotic conversation between humans and bacteria, a sensual dance of sound and visuals in the ambient silence of the dome.
The immersive experience is based on the use of SCOBY, a living symbiotic organism of bacteria and yeasts, commonly used for the fermentation of tea in the popular kombucha drink. In our case, SCOBY will be used as a sensor, as it has the ability to detect changes in the environment, such as skin conductivity. The values collected through the sensors will be converted into audio and visual signals, the effects of which will be reciprocally mirrored in the subsequent meter values. A communication loop will be established in the experimental therapy.
The Immersive Sound Dome is a project of Blaž Pavlica, which he has been developing for the last years and upgrading every year at PIFcamp. The project was developed out of a desire to create immersive sound, but also as an experiment in how to create such an environment with limited resources – when the project started in Slovenia, this option was not yet available. The latest version consists of a geodesic dome (designed by Staš Vrenko), 16 loudspeakers and a computer.
We invite you to submit your idea for a PIFproject that will be able to come to life in the Immersive Sound Dome with the technical support and mentoring of Blaž Pavlica. Your proposal can be anything related to immersive sound (music composition, algorithms, synthesis…), but we also welcome slightly different projects, such as lighting or decorating the dome.
For more information contact the author: blaz.pavlica[at]gmail.com
Thursday took its toll, at least on the most persistent ravers and the drink supplies. The PIFlogger didn’t spare any energy either, so she’s using visual materials to help her gather her impressions today. So what did Friday looks like at PIFcamp? Friday is the day when PIFers have one last time to try out new approaches, wrap up their projects (and side-projects) or come to terms with a (non)working prototype and get ready for Open Saturday, which was back on the schedule after another round of negative tests. But first, it’s time for the mandatory! hike and a close encounter with the freezing Soca (this year’s river temperature is a noticeably lower 12 degrees).
Photo by Simão Bessa
Swimming in the Soča is one of the best ways to reset, so most participants managed to get back to their normal rhythm after lunch. For those who wanted to take it easy while developing their handcraft skills, Becca and Margo’s animal embroidery workshop was a perfect choice.
Embroidery workshop. Photo Simão Bessa
“Follow the cable” could be the guiding principle of the next activity organised by Simon, a member of the Octosens team, who invited participants to explore the underground installations around PIFcamp with dowsing rods. Judging by the happy expressions on their faces, one could dare to say that you make a PIF person happy in an instant if you put a piece of metal in their hands.
No cable is hidden or safe enough for the PIFcampers. Photo by Simão Bessa
Shortly afterward, Theun invited the participants to a unique mix of exploring the surroundings of PIFcamp and a walk through the history of record-keeping. During the workshop, the participants learned how people have stored memories and knowledge, inscribed them in the landscape as we walked, and thus passed them on from one generation to the next.
Storing into the landscape. Photo by Simão Bessa
After dinner, all cam took time to reflect and talk about recent events/processes, and to plan for the Open Saturday. How did the work on the PIFprojects go? How many side-projects did the PIFers create? Are prototypes working? What will we present to the visitors of Open Saturday and how will we pack more than 30 different projects into one afternoon? Difficult questions, but not at all unsolvable for PIFers. The programme took shape smoothly and seamlessly, while we found solutions to technical, conceptual and nutritional mysteries and relaxed into the relaxed rhythm of Friday night.
Tarot under the tent, lasers on the treetops. Photo by Simão Bessa
According to the PIF criteria, calm does not mean idleness, just a slightly lower volume of activity. Polona organized the traditional tarot game under the tent (finally!), and Bernhard and Katja – our PIFlog writer, learned about Bernhards laser and modular systems (she mentioned it was inspiring!) and experimented with visualizations projected on the tree. Meanwhile, a group of both new and die-hard live coding enthusiasts had gathered behind us, brought together by Julien. This time it was the turn of the Foxdot environment in combination with Troop, a tool that allows the connection of multiple coders and thus one of the most important PIFthings, the jam. The PIFcamp started to empty soon after, and the participants had to recharge their batteries before Saturday’s event. Good night!
Alicia Champlin provided a meditative introduction to Wednesday, inviting the participants to a cymbal sound bath. According to Thomas, who was briefly interviewed before lunch about his experience of the fourth day of PIFcamp, Alicia completely hypnotized the group. Afterwards, the visitors lay down in a meditative state, which our interviewer describes as a wonderful, long echo.
Another meditative PIFcamp practice, knitting. Photo by Simão Bessa
After the camp had settled down, the 10 active participants gathered for Ludwig’s workshop on how to make preamplifiers from old vacuum tubes originally designed for use in car radios. Thomas particularly liked the pace of the workshop, with participants soldering in harmony, moving between the stages of fabrication together, and even running into a problem together at the end. But of course, in the end, they also worked together and solve it!
Car Valves workshop led by Ludwig Klöckner. Photo by Simão Bessa
And than we moved back under the tent, where Alicia presented her brain rhythm synthesiser. She first demonstrated the sensor and the user interface that visualizes the frequencies of the brain rhythms and then presented the sonification software for the different classes of waves. As the headband sensor is entirely based on open source solutions and she wrote the program in MaxMSP, she set herself the goal of writing the program in the Pure Data environment at PIFcamp. If she succeeds, we will be able to hear the result on the eight-channel PA system in Blaž’s ambisonic dome! Hopefully soon!
OpenBCI EEG sensor. Photo by Simão Bessa
After lunch, August set up a collaborative radio station under the roof. He presented Mezcal, a browser-based tool he developed to diversify broadcasting and sound art practices, to provide alternative modes of communication for social movements and to create a new kind of technology for journalistic reporting. Roger also attended the workshop and was most impressed by August’s approach to collaborative broadcasting, which he sees as a communal sound composition. Participants also learned the principle in practice – they were divided into pairs and assigned an adjective that served as a cue for a sound improvisation. Roger and Thuen paired up to sound out the concept of health. The workshop was broadcast live by August on Mezcal and can still be heard there.
Collaborative radio workshop in Mezcal. Photo by Simão Bessa
Meanwhile, artist Adriana Knouf joined us remotely via the web, from her residency in Copenhagen to present her artistic research project Foxes and Deeper Time. We talked to Eva and Nastja, two members of a team working on a prototype lichen observation system, about the event and the project itself. Adriana is a transgender artist who often focuses on space-related themes in her artwork. This offers her an escape from the sense of alienation that has been with her since childhood. Her current project links space travel with lichens, organisms that can survive in a vacuum.
Lichen samples collected by the team along the Soča River. Photo by Simão Bessa
Adriana is developing a spacecraft for transporting lichens and is also researching the organisms, which have rarely been the subject of scientific research. The second major part of the project is the construction of a portable observatory, consisting of various sensors for organic functions and a camera. As Nastja points out, lichens grow extremely slowly – only one to two millimeters per year – so they need to build a robust device to observe and send data to the cloud. Eva also tells us that the team has carried out two expeditions to collect lichen samples along the Soča River for the lichen archive they are preparing as part of Adriana’s multi-year project.
Artist talk with Adriana Knouf. Photo by Simão Bessa
Before dinner, Marko Peljhan gave a comprehensive report on the recent large-scale fires in the Karst, which was listened to by a large group of PIFcampers. Marko’s company C-astral, which manufactures small unmanned aircraft systems, responded to a request from civil protection for help in mapping the fire. In just three days, they mapped some 4,500 hectares, and the images clearly show the aftermath of the devastating fire. Marko spiced up the otherwise serious subject with a number of anecdotes to entertain the gathered audience.
First-hand report. Photo by Simão Bessa
For the last report of the day, we returned to Thomas, who (admirable dedication! – after attending all the workshops that day) also visited Václav Peloušek‘s Auto-Tune workshop to round off the day. Václav’s excellent blend of instruction and personal experience was reinforced by numerous examples of compositions, and by presenting the history of this sometimes hated function, he showed that it can be used in so many ways that can actually add to the sound. Finally, participants tried their hand at Auto-Tune karaoke with a device that Václav launched in 2019 at PIFcamp. Fun for performers and the audience was guaranteed!
Auto-Tune workshop with Vaclav aka Toyota Vangelis. Photo by Simão Bessa
After the screening of the documentary Sisters with Transistors, most of the participants slowly went to rest, while a group of synth enthusiasts organised the opening jam session. Thursday’s event was even more varied, so you will read about it as soon as we finish processing all the impressions (short announcement: drones, lasers, synths, jam sessions, more jam sessions, breakfast rave). Don’t miss it!
Thursday started early for some: before 6am (5:45am!), the bravest participants gathered for coffee and tea and decided to go on a long hike into the unknown with chef Klemn. They studied the map one last time and started the hike. A good hour later, more traditionally oriented PIFcampers went on a shorter hike to the Krn Lakes. Its is becoming almost an annual activity.
The PIFlog team is not large, but it has reliable sources and reports from several places at once. Photo by Simão Bessa
The participants are masters of multitasking, so they also held a Waaaater Walkshop during the traditional walk. Vivian‘s project was to allow the participants to slow down in the otherwise fast-moving atmosphere of PIFcamp. “The Walkshop allows you to explore, understand, feel and connect with your environment through walking,” she writes at the beginning of the booklet she created at PIFcamp. “In the notebook, I will ask you questions and invite you to draw, but remember that this is just a guide to help you discover and feel.”
Vivian walkshop notebook at Krn Lake. Photo by Vivian Hernandez Ramirez
Community archiving is an important part of Viviana’s walking workshop – each participant receives a notebook in which they write/draw their feelings and reflections. From the archive, we pulled out one of the twelve booklets that said “Becca”. As PIFlog writer always checks with the source, we asked Becca about her experience. “We opened the notebook by the beautiful lake and looked into the water, at the shape of the waves as they emerged on the surface. Vivian was also interested in how we could hear the water – we were on a lake that is otherwise calm. The only sounds were occasionally made by swimmers jumping into the lake, but it was a very calming experience.” Leafing through the booklet co-authored by Vivian and Becca was also a calming experience.
From the afternoon onwards, the fusion of synths and live coding came to the fore. Photo by Simão Bessa
By lunchtime (jota!), the hikers had already arrived at the base and were slowly blending in with the rest of the participants. Meanwhile, a few curious people had already gathered around Seamus on the lawn for a demonstration of the mini portable units, Datapods, sound synthesizers to which various sensors can be connected.
Soon after, ten participants gathered under the baldachín, turned on the soldering irons, and, under the watchful eye of Lina and Manu, started to assembling the Fantasía synth at the workshop. When the assembly was done Iván and Julia took over – guided the PIFers step by step through the process of programming the synth they had just built. The full-afternoon workshop was (verified!) also suitable for complete beginners, who thus built their first programmable synth to chase PIFnostalgia at home.
Assembling and coding Fantasía! Phot by Simão Bessa
At the same time, a silent sound began to echo through the PIFcamp and led us under a tree. Tilen set up a portable battery-powered sound system and gathered fellow synthesiser enthusiasts who provided a wonderful musical backdrop for lounging, active listening, and also small manual tasks (e.g. assembling extension cables or quietly typing of PIF blog).
Afternoon jam under a tree. Photo by Simão Bessa
At the same time, a journey through the history of field recording took place under the tent with Niklas, the guide you have already met in an earlier post. A lively debate developed among the interested audience, which was reinforced by listening to examples and sharing tips and hints.
Niklas lecture on combining field recording and live coding. Photo by Simão Bessa
In the afternoon, the sky above us was still very bright as Marko used drones to map a part of the Soča River in the area close to PIFcamp. The Trenta mapping is part of his multi-year ISOLAB project, which you can find out more about in a short video documentary made by the PIFvideo team during our stay in Soča.
Drone take-off. Photo by Simão Bessa
Just before dinner, a few PIFampers gathered under a nearby tent for a workshop with Karl Yerkes to learn about the new dimensions of live music coding in C, in the CLAVM (C Language Audio Virtual Machine) environment. Karl told us about the workshop: ‘It’s about live coding in an ancient language that is still used all over the world, C, completely unnoticed. In the workshop I gradually show how to create increasingly sophisticated musical processes, starting with simple signals and mathematical operations. At the beginning, we learn the basics of digitally generated sound, digital signal processing, and basic mathematical functions. Then we try our hand at music composition with parameterization, parameter mapping strategies, pattern generation and effects. Layering functional abstractions, we begin to listen to music that deviates from the expectations associated with live coding in such a low-level language. Finally, we encode the music live in C.”
Lecture on CLAVM with Karl Yerkes. Photo by Simão Bessa
5th day after dinner, the PIFcamp odyssey of covid tests continued (all negative!) and one extraordinary event after another. First, Bernhard realized his long-awaited wish: he performed a laser show on the biggest wall in the PIFcamp area. All eyes of the participants (although the evaluation is rather subjective) were focused on the wall of epic proportions (at least for the village of Soča) next to the basketball court and enjoyed a 30-minute hypnotic AV performance.
Laser performance by Bernhar Rasinger. Photo by Simão Bessa
Blaž, the dome man, also had an adventure of sorts, on Thursday he finally got the chance (weather factor + human forgetfulness factor), to set up the speakers in a spherical sound system and invite passers-by (on the way to the basketball court-terrace route) to listen in. Unfortunately, this was the longest-lasting session in the Ambisonic Dome, as raindrops visited PIFcamp again in the following days.
Dome. Photo by Simão Bessa
The tireless PIFcampers organised themselves and set up an AV jam under the tent just a few minutes after Bernhard’s performance. Aljoša accompanied the musicians on synths and in various live coding environments with visuals. On a rather massive system consisting of, among other things, an oscilloscope, an old video camera, and a video mixer (which Luka pulled out of a box labeled “obsolete video …”), he created a great visual focus for the energetic music from under the fingers of the coordinated performers. The atmosphere in the tent was so good that your favorite media team (photographer Simão and note-taker Katja) decided to move their office to the center of the action. The party was brought to an early end (at 1:00) by the law and order authorities.
Tent jam session Photo by Smão Bessa
The party has therefore moved under the covered terrace. The participants did not need to be told twice, the new venue was ready within one beer. Best not to waste too many words on the epic proportions, two will be sufficient: breakfast rave. Read on in the next few days to find out how the participants then took the obligatory hike and started preparing for the Open Saturday. After all this, we can’t conclude with a statement from the camp leader, Rea, who was asked how she was feeling on Friday afternoon: “I’m OK. Yesterday was such a calm day.” <3