Another project group be mentored by Michael Murray (IE), who is an arts technologist working in the technical areas of Theatre, Circus, Music and Video with a background in electronics and computer technology and a true passion for lighting, and Tom O’Dea (IE), a Dublin-based artist, whose work encompasses sculptural works and mixed media installation across sound, electronics and video and is currently a researcher at the Arts Technology Research Laboratory in Trinity College Dublin.
The project aims to explore the idea of comparative rupture within the natural environment through the use of structured geometric lighting and sculptural installations, driven by data from local or networked sources. The aim of the project is to explore and deconstruct the claims towards neutrality and objectivity inherent in the data structures of the ‘hyper-real’ systems of global computing and communication technology by drawing them back into the affective and asignifying register of the natural environment.
The project will make use of various LED lighting technologies to create a system by which we can explore with other PIFcamp collaborators the effectiveness of different aesthetic strategies for reconstituting data as an affective or subjective entity.
The project also aims through collaboration to generate discussion about how a particular technology can act reflexively on the artist to shape their practice, through the setting in the natural environment, PIFcamp forces the project to coexist with elements outside the control of the technology’s parameters.
As edible wild plants are three to four times stronger food (especially mineralwise) than cultivated ones, it will be an interesting point to get them “voice” their power via any possible channel. This is but only one of the possibilities to include wild edibles into hacking activities in Trenta valley, not to mention that collecting and using these foods is hacking business by itself, as it goes straight to the core of food: what did we eat 10.000 years ago? Why shouldn’t we have a direct access to food, otherwise dominated by hipersupemegamarkets, and, yes, also your own garden (most of the weeds are edible and more nutritious than cultivated vegetables).
And also, how do the nettle’s stings look like from a very close distance? Interestingly enough, they also contain serotonine and acetilholine, two powerful neurotransmitters.
Hunger aside, there will also be some very straight presentations of wild edibles in the surroundings of Soča village, that means how to recognize and use them.
By the way, more than 2000 species (out of 3500+) of wild plants in Slovenia can be used as food.
On Open Saturday the participants and guests of the camp will be able to join a workshop mentored by Lavoslava Benčič named Graphic Sound. Lavoslava works in the field of visual communication and is an active member of Čipke.
In the course of the three-hour-long workshop of graphic sound we will shape sonic structures. The workshop is mostly directed towards those, who don’t have previous knowledge or experience in music composition.
We will start by exploring the beginnings of Graphic Sound and continue by discovering some examples from the art scene of the 20th century. The digital era has wastly contributed towards the transformation of graphic sound tools. We shall get to know them in the practical part of our workshop. We will install the software on our personal computers, prepare our selected visual data for the inclusion into the program and for the effective transformation into sound. What follows are sonic experiments, conducted by the tranformation of visual data into sonic structures. The worshop will conclude with a jam session.
It is highly recommended that the participants bring their own laptops and headphones.
Computer art node holder and ultimate open source & free software geek Luka Frelih presents the 7th project of the summer camp, named PIFcamp Reactive Network.
PIFcamp Reactive Network will take on signals from the real world environment of the PIFcamp and its participants, react to them trough live-coded scripts and feed them back to the camp trough screens and kinetic sculptures. The physical input and output devices speaking the OSC protocol will connect trough Noise Make-up Language (NML), a web livecoding bridge, and form a living, pulsating and growing network inhabiting the camp site, its computers and browsers, not to mention the minds and bodies of campers.
We will invent and make input and output modules based on ideas from kinetic sculpture, DIY and kids robotics, modular synthesizers and the beautiful natural surroundings to combine humble potentiometers, servo motors and microcontrollers, glue and sticks into abstract expression carriers capable of transforming gestures into numbers and back again. We will also bring along and repurpose the huge 19-pad stomp board from Sounds of Ljubljana which will surely add to the fun of finding the pattern that will emerge from connecting these experiments with the noise emanating from other projects at PIFcamp.
We proudly announce that three Ljudmila’s old friends, first-rate mentors and the ultimate experts on their fields will be attending PIFcamp! They are: Lynne Bruning, Marc Dusseiller and Peter Edwards. The Home Team is so far represented by the founding member of Ljudmila and truly versatile hacker Luka Frelih. Can’t wait for more!