Open Saturday 2024 & PIFcamp celebration

🎉🎉🎉 PIFcamp Celebration! 🎉🎉🎉
An evening of AV performances celebrating 10 years of PIFcamp!

Open Saturday, August 3, 2024 | 8.30 PM
Kluže Fortress, Bovec

You are invited to the grand finale of the 10th PIFcamp edition, which will conclude at Kluže Fortress on the night of August 3rd. Join us as we celebrate a decade of your favourite hacker camp in a festive birthday atmosphere and enjoy an evening of audiovisual performances featuring modular synthesis sounds, live coding, and vibrant laser projections!

Alex McLean & Lizzie Wilson (UK), Live Coding with Time
Pierce Warnecke & Matthew Biederman (US/CA): Sonopeutic Smooth Sailing, AV performance
LazerMeduza (AT/CZ), Modular Synths & Lasers
Shekuza (SI), Modular Synths Live

Free admission.

In case of rain, the event will be cancelled.

The so-called Open Saturday, an informal closing of PIFcamp, will be held at the main venue (Soča 25, Bovec), starting at around 1 PM. The gathering in a relaxed atmosphere is dedicated to internal presentations of projects developed by participants throughout the week in a form of all-day free workshops, presentations, lectures, and tastings! The detailed program will be announced later (or may not be). Regardless, you are welcome to drop by Soča before heading to Kluže!

More info:


Production: Zavod Projekt Atol, Društvo Ljudmila & ISOLABS. 
With the support of the Ministry of Culture RS and the Municipality of Ljubljana. The event is part of the official programme of the European Capital of Culture 2025 Nova Gorica – Gorizia. PIFcamp is part of the Rewilding Cultures project, co-financed by the European Union’s Creative Europe program and the Ministry of Public Administration RS.

Biofabricated soft robots and inflatables by Marisa Satsia

What does molecular gastronomy and biofabrication have in common and what do these techniques have to do with the fabrication of soft robots? 

Through this project Marisa Satsia would like to continue her research of bringing molecular gastronomy and biofabrication techniques into the making of soft robots and inflatables. She will be exploring and working with natural polymers, cooking up and inflating biomaterials and experimenting with different fusing and sealing techniques.

During PIFcamp, she is eager to collaborate with others and potentially integrate her research with someone else’s work – she is especially interested in teaming up with individuals who have electronics skills or share similar interests. If you are interested, please feel free to join in!

Ethical Hardware Workshop at PIF

It is an open secret that the hardware in our smart devices contains not only plastics but also conflict minerals such as tungsten, tin, tantalum, silver, and gold. Hence, technology is not neutral. In this workshop, we investigate alternative hardware made from locally sourced materials, known as ethical hardware, to develop and speculate upon renewable practices for the benefit of both nature and humans.

During the workshop, we will make printed circuit boards with wild local clay, using recycled silver as the main electrical conductor. We will model the boards, paint the circuits, and fire them in an open bonfire at PIFcamp. Participants will solder all electronic components and test the circuit for an interactive microcontroller board that can control digital and analogue sensors as inputs and speakers, LEDs, and motors as outputs (similar to Arduino). The workshop will be hosted by Patrícia J. Reis (Mz*Baltazar’s Lab).

Image by Janine Schranz ©

Diving Into the Posthumanist Practice

Tamara Lašič Jurković is an interdisciplinary designer, researcher and teaching assistant specializing in design theory, who plans to host a workshop PIFcamp to create a local version of the collaborative game Left With a Memory, present her project Hacked Meditation and refine her PhD topic proposal. All three endeavours—the PhD topic and the two projects—are rooted in posthumanist theory in terms of moving beyond human-centered design approaches, challenging anthropocentric beliefs, recognizing the interconnectedness of the “web of life” and comprehending human dependence on natural ecosystems and other biotic organisms. Hacked Meditation is a guided audio meditation that questions the exclusivity and definition of the human being by exploring the microbial life within and outside our bodies. Left With a Memory is a collaborative, educational memory game that highlights the surprising number of red-listed endangered species resulting from the destructiveness of human activity. Lastly, for her PhD, Tamara aims to explore how strategic board game development methods can be implemented in the posthumanist design process and whether board games can be an effective teaching tool for introducing the posthumanist perspective in design.

RIP Your Tech. A Bioplastic Send-Off Party! by Sabina Suru & Andrei Tudose

Have you ever held onto a piece of technology long after its prime? A phone that is too old to even connect to the internet, a cassette player lost in the digital age, a gadget gathering dust in a forgotten drawer, or a film camera received from a friend which just doesn’t function anymore? These relics whisper stories of our ever-evolving relationship with the digital world.

This summer at PIFcamp, Marginal via visual artist Sabina Suru and curator Andrei Tudose, invite you
to Places of Care, to explore these quiet narratives and craft a gentle farewell for our ageing
technologies. The project challenges traditional perceptions of technology and fosters a deeper appreciation for the complex ecosystem it creates, highlighting the importance of care for technology and a shift towards a more responsible approach to resource management in the technological sector and beyond, opening up conversations about the ecological footprint of technology and the need for sustainable practices in its production and disposal.

Oh, speaking of disposal – how do you feel about waste? Not e-waste (well, not just yet), but bio-waste, growing in front of our eyes. Now, imagine transforming this everyday waste into bioplastic, instead of the ever present plastic made of fossil fuel-based chemicals, today’s biggest frown-upon villain.

What is bioplastic, you ask? It’s a material derived from renewable sources like plant starches or vegetable fats, offering a more sustainable alternative to its petroleum-based counterpart. During collaborative working sessions, we’ll get our hands dirty (in a good way!) experimenting with these innovative materials. We’ll make bioplastics from scratch, using everyday materials like agar agar, flour, kitchen scraps and whatever biowaste we’ll stumble upon around the camp.

These materials will become gentle shrouds for your abandoned technologies (please bring some with you!), eco-friendly burial garments which will not only commemorate our cast-off gadgets, but also become the building blocks for a larger installation Sabina is working on. Yap, your e-waste will find its resting place at the Bucharest Technical Museum in October, for the Places of Care exhibition, a testament to our techno-ecology and our possibilities for responsible consumption.

Join us if you wish to:
● Reimagine the afterlife of technology: Give your tech a gentle send-off and explore themes
related to ecology of technology, obsolescence and responsible consumption.
● Embrace new materials: Learn to make bioplastics from sustainable and readily available
● Be part of a collaborative artwork: Contribute to a wider installation displayed at a really cool

Application for 10th PIFcamp are open!

Open call for the festive 10th edition of PIFcamp is out! You can find all the information on how to apply in the APPLY HERE menu section.

Catch the early bird price by applying until March 15th. Open call will be open until middle of April.

Since we are making slight changes in the participation, we kindly ask you to read the description on the webpage or in the form.

We are looking forward to your DIWOtion applications!

How we learned to live with constant rain //PIFriday

Rainy Thursday was followed by a rainy Friday. PIFtopia thankfully avoided the more serious storms, but owing to the extreme conditions in several regions across Slovenia, the decision had to be made to call off the Open Saturday. The wrap-up of PIFcamp was nevertheless breathing down the PIFparticipants’ necks. So, despite the relentless rain, we witnessed the usual Friday levels of diligence.

A usual PIFriday view. Photo: Katja Goljat, Matjaž Rušt

Laurent, whom we have already written about in this year’s PIFlog, decided to start his presentation right after breakfast. He presented his setup, which combines dance and coded music in his performances, to those who hadn’t yet marveled at his (really special!) live coding interface. Free from all PIFproject commitments, he was able to attend workshops, presentations, and jams throughout Friday and Saturday.

Laurent’s interface, designed for Laurent. Photo: Katja Goljat, Matjaž Rušt

Meanwhile, Maya Minder‘s plans to research and produce a bacterial field guide were interrupted by the rainy weather during the week, so she has arranged a presentation of one of her past projects under the canopy – a workshop on making power cells from microbes, which she is developing and running in collaboration with Miranda Moss. Kraut Source Energy is well documented on the Hackteria wiki, where you can also download the instructions for producing energy from various stinky substances like sauerkraut, urine, or mud.

… kind of magic? Maya Minder’s Kraut Source Energy. Photo: Katja Goljat, Matjaž Rušt

Already before lunch, we noticed certain indications that noise would dominate Friday as far as sound is concerned. Dan Xu invited the PIFlars to build kraakdoos, noise-making experimental instruments developed by Michel Waisvisz in the 1970s at Amsterdam’s STEIM, under the slogan “Let’s make some noizzzeee”.

Build your own kraakdoos! Photo: Katja Goljat, Matjaž Rušt

The crackle box, as the name of this simple instrument translates from Dutch, is played simply by touching it, which neatly connects Dana’s workshop with the activity that was (still) going on under the tent in the meantime. Participants in Rob’s workshop continued to build instruments from the Networked Touch series. More on this in the report from Saturday’s events.

Alicia’s touch instrument. Photo: Katja Goljat, Matjaž Rušt

After a spot-on lunch (fish and potato salad), a few of the curious gathered for Nejc‘s presentation on creating animations with artificial intelligence. Nejc presented his practice and shared a number of other interesting facts, such as his fascination with solar punk, while also briefing the audience on his project in progress, a short experimental generative animated film with the working title First We Must Listen to the Trees, in which he explores social situations in relation to the environment and the ecosystem, as well as coexistent and sustainable ways of living.

Natura morta titled Friday Lunch among the Nettles. Photo: Katja Goljat, Matjaž Rušt
Nejc presenting his practice of creating animations in collaboration with AI. Photo: Katja Goljat, Matjaž Rušt

Before it got dark in the PIFcamp, we enjoyed two more artist talks on the terrace: first, the audience was entertained by Jani Pirnat, who is a curator at Ljubljana’s Vžigalica Gallery outside of PIFtopia, and also one of our favourite Slovenian contemporary artists at our week-long gatherings in Soča. Jani presented his two previous PIFprojects, Peasant Resistance and Rock’n’roll. While the former tasted internet fame for a few days, the latter – a cement mixer transformed into a disco ball with a rolling stone inside – only amused PIFlars so far. But judging by the audience’s reaction, it is likely that it will also be presented to an outside public soon.

Jani during his presentation of two of the PIFproject goldies. Photo: Katja Goljat, Matjaž Rušt

Next, Michael Candy, this year’s PIFresident, presented previous projects and delighted the audience with infectious joy for building robots and stories from previous artistic residencies. We caught a video of Ether Antenna, a work created during a residency at the Robotics Association of Nepal (RAN). This narrative short film, beautifully edited to music by Pauline Anne Strom, is based on Buddhist tales, with robots, of course, performing all parts. Ah, yes, and there’s a PIFlog recommendation, too: if you’re in Ljubljana in September, don’t miss Michael’s installation as part of the autumn extension of the Lighting Guerrilla festival.

Michael with one of his robots. A more basic version of one of the performers in his film. Photo: Katja Goljat, Matjaž Rušt

Friday night was spent mostly draining the canopies and tent wings, but of course not without additional soundscapes that complemented and occasionally overpowered the raindrops – from the noise jams to the terrace party, there’s room for everyone at PIFtopia.

Photo: Katja Goljat, Matjaž Rušt

Workshop on workshop on workshop //PIFthursday

As you might have guessed from the title of this post, Thursday’s timetable was filled with workshops. Even though we really try hard to deliver news from PIFcamp on time, we are experiencing a minor setback, which is as much due to the fact there was a lot going on as it is to the gargantuan amounts of rain yesterday. There’s only so many dry working spaces when the PIFlake starts to form. However, this did not completely spoil the participants’ plans for the workshops. Shortly after breakfast, the first in the series of Touch Network workshops took place – Meta’s brooches and other decorations making workshop with LEDs. Also, one of the most popular PIFworkshops ever.

Mentor Meta with her workshop participants. Photo: Katja Goljat, Matjaž Rušt

Meanwhile, Rob was in the tent preparing the presentation of the second workshop in the Touch Networks series, a workshop on making experimental musical instruments. After an introductory tech explanation, the participants went on a quest to find suitable bases for their instruments. Once they were satisfied with their findings, they started to upgrade the planks and logs into touch-sensitive musical instruments that send messages to Rob’s SuperCollider via the OSC protocol.

My log is an instrument. Photo: Katja Goljat, Matjaž Rušt

Simultaneously, the Instant Party workshop by Lina Bautista was taking place on the terrace. She introduced the participants to live coded music, explained the core principles of live coding and talked about the Tidal Cycles environment, which is one of the most popular tools among musician-coders. The practical part of the workshop followed. Participants experimented with live coding in MiniTidal and (for an instant) experienced collaborative coding using Estuary, a browser-based environment. As Alicia enthusiastically explained, the best feature of this collaborative coding tool is that it synchronizes the timing of all the participants, making it the ideal solution for remote participatory coding.

Lina’s infectious enthusiasm for live coded music. Photo: Katja Goljat, Matjaž Rušt

We also talked to one of the attendees, Julia, who had a great time during Lina’s workshop, and particularly remembered her saying that the whole point of live coding music is to have fun. She says that the workshop lived up to its name as it offered instant fun. On the spot, we also caught Lina’s excellent explanation of another core principle of live coding – it’s not just about sharing the screen (to quote one of the points of the manifesto), but about sharing in the broadest sense. By giving listeners or viewers a behind the scenes insight into the process, we allow them to copy the code and play our song or set themselves.

Instant fun. Photo: Katja Goljat, Matjaž Rušt

Under the tent, Rob’s workshop was gradually joined by a workshop by the Oscilloscope Music duo, about whom we have already written extensively in the PIFwednesday post. As expected after their amazing AV show on Wednesday, their workshop attracted quite an audience. The participants first learned the basics of safely handling lasers, familiarized themselves with Hansi’s and Chris’s set-up and software, and then tried their hand at laser visualizations.

Hands-on lasers workshop. Photo: Katja Goljat, Matjaž Rušt

After lunch, a group of anything-food-related enthusiasts gathered at the other side of the PIFcamp for coffee and beetroot cake. Ahac welcomed them in his cosy little corner and invited them to share memories of Dario Cortese, who “really connected PIFcamp with nature”, as our host so aptly put it. They shared stories about this forager and explorer of fermentation, edible wild plants and the surrounding wilderness. If there is one common point among all the stories, it is the fact that everyone who knew him misses Dario. Unfortunately, yours truly had to leave the PIFood corner, and will report on the conversations that took place later in one of our future post.

Coffee preparation and collecting stories on Dario. Photo: Katja Goljat, Matjaž Rušt

Although it may seem that the PIFlars were unable to progress with their PIFprojects due to the abundance of workshops and rainfall, we can immediately reassure you that this was not the case. If life gives PIFlars the rain, they will come up with a high-tech solution and get on with the job. One of our personal favourites has to be Jelissa’s laptop cover. As often happens at PIFcamp, she didn’t need this solution to move forward with her PIFproject. She teamed up with the artistic duo Swamp_Matter, Eva and Ana Laura, and she was happy to share her coding skills with them. One of the project team members who (like Jelissa) has organically become part of their artistic exploration is Jure, but more on that in the report from Saturday’s presentations. Hint: you’ll be reading about dancing stones.

High-tech PIFsolutions™. Photo: Katja Goljat, Matjaž Rušt
Success! Photo: Katja Goljat, Matjaž Rušt

In the evening, the live coder community continued working on their PIFproject of infecting the participants with this artistic practice. Blaž organized a live coding workshop in the Hydra environment, which you may remember from last year’s PIFlog. He was clearly successful in this effort, since all the workshop participants later showed off their newfound knowledge at the From Scratch PIFevent, where they visualized the music of participants from Lina’s workshop and the seasoned live coders.

Live coding visuals with Hydra workshop. Photo: Katja Goljat, Matjaž Rušt

The evening slowly faded into night. Since it’s late, and your reporter has packing and tidying up to do tomorrow, she’ll try to summarize the events in a concise sequence of simple sentences and words, followed by a series of photos: From Scratch with 15 performers, Ewen Chardronnet’s amazing set and a b2b with Blaž, community bonding, a cocktail party, a fierce tarot fight, an epic battle with the level and the perimeter of the PIFlake. Good night!

From Scratch feat. Cocktail Party. Photo: Katja Goljat, Matjaž Rušt

Epic PIFbattles. Photo: Katja Goljat, Matjaž Rušt